• All Resource types
  • All objectives
  • All languages
  • SEARCH

Resources

Oct 11, 2019

ADESTE+ Lisbon Summer School "Empowering audiences, reimagining culture" is the first one of a series of 3 that will be developed in 2019 // 2020 // 2021, in the framework of the ADESTE+ project. It was from September 23 to 27, 2019 at Fundação Calouste Gulbenkian.

The ADESTE+ Lisbon Summer School fosters a hands-on approach, which introduces participants to the overall conceptual and theoretical framework of audience development and invites them to engage proactively with participating organizations, practitioners and experts.

This is the first day video:

People and communities as a core value: placing audiences at the centre

Teresa Patrício Gouveia, Fundação Calouste Gulbenkian
Susana Gomes da Silva, Fundação Calouste Gulbenkian
Inês Câmara, Mapa de Ideias

Placing audiences at the centre

Alessandra Gariboldi, Fondazione Fitzcarraldo
Anne Torreggiani, The Audience Agency


Placing audiences at the centre – What does it mean?
3 different institutions, many questions

Alessandra Gariboldi, Fondazione Fitzcarraldo
Anne Torreggiani, The Audience Agency
Susana Menezes, Teatro Lu.ca
Sara Duarte, Anabela Almeida, Alfredo Martins, Teatro Meia volta
Alda Galsterer, Fernando Belo, Carpintarias S. Lázaro


Sep 11, 2019

Full report on the Roundtable on Bang for the Funding Buck: KPIs and Capturing the Impact of the Arts, part of the IPS-SAM Spotlight on Cultural Policy Series. The roundtable was organised by the Institute of Policy Studies (IPS) on 1 June 2018 in collaboration with the Singapore Art Museum.


Meaningful measurement. A review of the literature about measuring artistic vibrancy 

Meaningful Measurement is a summary of the key research in the area of measuring artistic vibrancy.

It looks at:

• performance measurement in the arts
• proposed models of performance measurement in the arts
• the notion of “public value” and the arts
• the intrinsic impacts of the arts
• assessing artistic vibrancy, including models and examples

This resource was published for the Australia Council for the Arts in december 2009. 


Jun 11, 2019

An analysis of Audience Finder box office data for classical music events 2014-2016

Audience Finder is the Arts Council England commissioned audience data and development programme, enabling cultural organisations to grow audiences and revenues by sharing, comparing and applying audience insight. The aggregated dataset provides a unique and hitherto unavailable level of audience analysis and benchmarking across the nation, regions, organisations, artforms and performances.

An Audience Finder classical music cluster was set up in 2013-14 which agreed specific areas of focus. Those it has been possible to address in this report are:

 What are audiences like? Using Audience Spectrum segmentation. o How do tastes differ?

 What are the booking behaviours of classical music audiences?

  •  How frequently do people book?
  •  How much do people pay for their tickets?
  •  How late do audiences book?
  •  What are the trends in party size?

 Are audiences for classical music ageing?


Join us